![]() Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards. ![]() With a dual-port Dante card, you will be able to expand your studio over Ethernet for more channels at higher sample rates, anywhere in your network, at lower latency and lower cost. The two digitally-controlled Red Evolution mic preamps provide up to 63dB of ultra-clean gain along with stereo linking, individual phantom power, high-pass filter, phase reverse and Air mode: the name Focusrite give to the sonic signature of the classic transformer ISA preamp. Red 16Line features 16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs. Build your mix on the DAW and use it whether you're overdubbing, or playing back, with all your plug-ins in place, all the time. If you're used to having to build two different mixes - one using input monitoring to overdub, the other using the DAW for playback - the good news is that now, one is enough. Red's ultra-low round trip latency completely transforms your workflow. High-performance audio converters with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in Focusrite's best-quality audio interface. Simply change the host mode either in the remote control software, or on the device front panel and change DAWs in seconds. Since Red 16Line provides both DigiLink connectors and Thunderbolt connections, it's now easier than ever to switch from Pro Tools | HD to a second DAW, without the need to reconfigure option cards in the interface. Mixes can be built on the DAW and used whether overdubbing (monitoring the input being recording with the Focusrite Control software mixer) or playing back, with all plug-ins in place, all the time,” the company explains.Red 16Line is a 64-in/64-out Pro Tools | HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. For those used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. “Red’s ultra-low round trip latency completely transforms workflows. ![]() ![]() High-performance audio converters with over 118 dB dynamic range A/D and 121 dB dynamic range D/A (A-weighted) have been expertly selected and calibrated to provide the best balance of sound quality, dynamic range and conversion latency in what Focusrite calls its “best-quality audio interface.” ![]() The host mode can be simply changed either in the remote control software, or on the device front panel to change DAWs in seconds. The new interface provides both DigiLink connectors and Thunderbolt connections, making it easier than ever to switch from Pro Tools HD to a second DAW, without the need to reconfigure option cards in the interface. The new Focusrite Red 16Line is a 64圆4 Pro Tools HD and dual Thunderbolt 3 audio interface with ultra-low latency A-D/D-A conversion, Red Evolution mic preamps, up to 121 dB dynamic range, ultra-low round trip latency, and expansion over Ethernet for networked audio. ![]()
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